Lane Brown of Pitchfork praised as an album with a "different, better album with major improvements over its predecessor". In 2021, Pitchfork included it on its list of album review scores they "would change if they could", upgrading its score from 8.0 out of 10 to 9.2.
In 2018, the BBC included it in their list of "the acclaimed albums that nobody listens to any more".
In 2013, Room On Fire was listed at number 360 on NME 's list of the 500 greatest albums of all time. cashing in on the notoriously unwashed NYC quintet's debut can't muster a wink." Iain Moffat of Playlouder gave the album only one star and said of the Strokes, "There's little of the pop sparkle that shone through the likes of 'The Modern Age' and 'Last Nite' even when - as with 'You Talk Way Too Much' - they're rewriting old material, and Julian's vocals are, to be blunt, awful, sounding uncomfortable to record and rather complacently nasal." Raoul Hernandez of The Austin Chronicle gave the album a score of two stars out of five and stated that "even the half-hearted retreads. And that the Strokes should have managed to do such a thing at this stage in their careers, is - I think - an achievement of real significance." Greg Milner of Spin gave it a score of eight out of ten and said that its "similarity to its predecessor ultimately bespeaks a purity of vision, not a dearth of new ideas." Jenny Tatone of Neumu gave it a score of nine stars out of ten and said, "The Strokes don't make the most original sounding music you've ever heard, but they make something that is only the Strokes." In his Consumer Guide, Robert Christgau gave the album a three-star honorable mention ( ) while picking out two songs from the album ("Between Love and Hate" and "What Ever Happened?") and stating simply, "Narcissism repeats itself." And I'm more than happy to settle for that." Ben Thompson of The Observer gave it all five stars and said, "This is a feeling that can be inspired only by people making the absolute most of an opportunity to communicate: cutting through all the rubbish that surrounds them to make a clear and memorable artistic statement. However, they've done all they could have done. This record was built for thrills and speed." Dan Tallis of BBC Music gave it a favorable review and said, "Bands should think themselves lucky to achieve such heights just once in their careers. Rob Mitchum of Pitchfork gave the album an 8 out of 10, but stated that the band "have all but given birth to an identical twin." A positive review from Rolling Stone said that "the Strokes have resisted the temptation to hit the brakes, grow up and screw around with a sound that doesn't need fixing - yet." The review also stated that "if you want comfort and clarity, you're definitely in the wrong room. However, in general, reviewers found the album too similar to Is This It. Room On Fire received generally positive reviews from critics: on the review aggregating website Metacritic, it currently has a score of 77 out of 100 based on 31 reviews, which indicates "generally favorable reviews".
SOULLESS 4 CHART PROFESSIONAL
Guitarist Nick Valensi stated that "the album would've ended up a lot better if we'd had another couple of weeks." Critical reception Professional ratings Aggregate scores The Strokes had exactly only three months of studio time to record the album.
Those sessions were ultimately scrapped and the band returned to their original producer, Gordon Raphael. I wanted them to change, and they didn't." And I'm saying 'Well, why am I here if you're not prepared to try and do it the way I want to do it?' We got on great, it was just one of those laughable things where it just doesn't work. He wanted to do it his way, I wanted to do it my way, and obviously that's the point of me being there. Godrich said of the failed collaboration: "The problem there was that me and are just too similar, we're both control freaks. They hired Radiohead producer Nigel Godrich, but fired him when, according to the band, their work together proved "soulless". Immediately after touring for their debut album Is This It, the Strokes returned to the studio.
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